Bzzzz March 10th, 2008

I just returned from the Philadelphia Flower Show. Holy moly.

Let me tell you, this is no ordinary home and garden show. Nay, nay. This is a spectacle! It costs the fine folks of the Pennsylvania Horticultural Society about $6.5 million to put on the show, although the estimated total expenditure by the show as well as the participants is three times that. The show covers a total of 10 acres in three areas: major exhibitions, competitive classes and horticultural schools and universities. There is also a large vendor area where you can shop till you drop.

Profits from the show go to benefit the Philadelphia Green program, which cleans up and beautifies outdoor spaces that have been derelict and unsightly. The program also sponsors a prisoner gardening program to raise vegetables for the homeless, neighborhood and community gardens and loads of education programs. Many cities could look to this program as a model of excellence with many side benefits.

This year’s theme was all about New Orleans and Jazz. The entrance was a recreation of the famed Bourbon Street, all decked out in flowers.

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The competitions are in areas for landscaping, floral design, florists, by-invitation and by individual plant species. Many local high schools and colleges participate in the program, as do some prisoner groups.

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In addition to the huge displays, there are also fabulous displays of smaller competitive areas: window boxes, container gardens, Ikebana, competitive impromptu arranging, stoop gardens, table settings…the list goes on and on. One of the most amazing areas was the miniatures–tiny little dioramas of natural and indoor scenes with real, live, miniature plants.

The Philadelphia Flower Show claims to be the biggest and best in the U.S. and is distinguished from the famed Chelsea Flower Show in London because the Philadelphia show is indoors. Chelsea is outdoors. That means that all the flowers, flowering shrubs, flowering trees–everything–had to be forced indoors. If you have ever tried to force a flower, imagine trying to force thousands, if not millions, of them. All at the same time. All on a particular day. And then arranging them in a small exhibition space to please the judges and the crowds.

And that, my friends, is why they call it a “show.”

(By the way, I arrived home just in time to unpack and pack again…off to Atlanta this time. I have about 1,000 photos to wade through, but will be posting them as soon as I return and recover. I also want to show you all the cool new stuff that I bought!)

Posted In: Flowers, Gardening, Travel

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Bzzzz February 25th, 2008

First, let me say that I am not a Martha Stewart basher.

I was not among those who took glee in the fall ofAmerica’s Domestic Diva. I acknowledge that it seems that she can be quite, uh, mean-spirited and brutal on her minions. But I also recognize that she has made some significant accomplishments. She has created a huge empire from nothing. She raised homemaking to an art during a time when high-powered careers were more in vogue. I also think she has suffered mightily from some highly publicized personal embarrassments—an icky divorce when her husband ran off with her former assistant and a financial scandal that probably wouldn’t have meant jail time for most investors.

So it’s not as a Martha-basher that I have decided to air my disappointments in her new garden.

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The March issue of Martha Stewart Living was my first look at her garden at Cantitoe Corners, Martha’s newest renovation, a 152-acre estate inNew York’s fashionableWestchesterCounty. The article, “Fruitful Endeavors,” features her vegetable garden and, according to the author, some “clever and innovative techniques.”

Frankly, I’m disappointed in Martha’s Fruitful Endeavors.

First, Martha has chosen to surround the 90 by150 feetgarden with a seven foot-tall metal fence that looks more like it belongs around her former prison home than around a vegetable garden on an “estate.” I understand the need for a fence of some height. After all, those white-tailed deer can leap tall buildings in a single bound, right? But why a metal fence? There are so much more lovely alternatives.

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For example, how about the highly functional and also attractive fence surrounding the vegetable garden atMount Vernon? George Washington designed this beautiful fence with a brickwork base and picket fence top. Despite the fact that it’s over seven feet tall, it doesn’t look like a prison exercise yard. Rather, the fence adds architecture and grace to the garden.

Second, the article boasts about her clever use of rotating crops. That’s “clever and innovative?”

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What’s more, it appears that the vast majority of the garden is laid out in rows, or, as the article puts it, rows in a “rigorous geometry to yield maximum results and easy access.”

Why maximum results? As far as I know, she lives alone. Is she feeding a small nation army I’m not aware of? If not, why is she sacrificing beauty purely for the sake of “maximum” production?

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t seems that old George (Yes, George Washington again.) was feeding a heap more people, what with the slaves and all. His gardens seemed quite productive and also managed to be a place that you could tarry as well as toil. Why must a garden only be for work and production?

Personally, I believe a garden should be as much for pleasure as for produce. (You can see more of my garden here.)

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Finally, I see NOT ONE SINGLE PLACE TO SIT in her garden. Surely she must have a lawn chair stashed somewhere that she drags out when the photographers go home, right? And you know I value a place to sit in a garden.

Too bad about Cantitoe Corners. With Martha’s talent, money and hoards of help, her garden could have been something to rival the gardens of the likes of George Washington and Thomas Jefferson.

I’m sorry so say, Martha has let me down.

Posted In: Gardening

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